Workshop – Budgeting for EU Projects
TEH office Tomegapsgatan 22, LundHow do you plan a budget for your project application to the EU? What makes a good budget? What is a buffer and how do you use it? How do […]
International Resource Office (IRO)
part of Trans Europe Halles (TEH)
How do you plan a budget for your project application to the EU? What makes a good budget? What is a buffer and how do you use it? How do […]
This hands-on workshop will introduce participants to the stakeholders mapping and analysis process for an international project.
Are you thinking about applying for Creative Europe cooperation project this fall? Or are you curious of what other funding opportunities Creative Europe Culture sub-programme offers? Then don´t miss out […]
Marie Le Sourd from On the Move will share and exchange on recent and current mobility opportunities for artists and cultural professionals in Europe and internationally.
You finally got your EU project grant approved? Congratulations! But what now? What do you have to document? What do you report? How does an EU auditor think? And what are these “General
Conditions” everyone keeps talking about? Lisa Hartmann, Finance Manager at TEH, can help you figure it out!
Does the way you work correspond with what your organisation wants to achieve? What gives you energy and what drains your energy at work? How can you create a working environment that is for you like water is to penguins?
In this webinar we will dive deeper into what European cultural networks there are and the benefits of being part of a European network.
How sustainable is your cultural project? This webinar provides an opportunity for exploring environmental sustainability in the context of international cultural collaborations.
During a project lifetime, many risks might be faced. In this workshop you get to know the main categories of risks, learn how to identify them, understand risks probability and impact on your project and how to reduce these risks.
The term ‘participatory governance’ has been widely used in the cultural field over the last decade. But what do we actually mean by it? And how can this concept relate to your cultural organization?